In the food court, people ordered up baskets of boiled crawfish, catfish po’ boys or Louisiana crab cakes on a bed of “dirty” rice. People clustered around the main stage, sitting on lawn chairs and shielded from the sun by canopies. Some drank beer and ate crawfish as couples danced. Cajun cooking’s secret is in the seasoning and the time taken to properly prepare the food, said Michael Hall, 24, of New Orleans. Working at the New Orleans Cookery booth, Hall said crab cakes combine the “trinity” of vegetables: celery, green bell peppers and onions. “It’s the herbs from around the Mississippi and it’s the seafood,” said Tess Mohr about Cajun and Creole food. The festival continues today from 11 a.m. to 7 p.m. at Rancho Santa Susana Community Park, 5005 Los Angeles Ave. Admission is $15.160Want local news?Sign up for the Localist and stay informed Something went wrong. Please try again.subscribeCongratulations! You’re all set! SIMI VALLEY – There were plush alligators for sale among the carnival beads and hats at the Cajun Creole Music Festival, and there was real alligator – cooked, on a stick. For the truly daring, the alligator meat is marinated in hot sauce for a couple of days, then dipped in batter and grilled. “It tastes like chicken,” said Lori Lange, 48, of Simi Valley, munching on an alligator skewer while strolling the grounds with her husband, Ron. The Langes have come to the festival for the past 15 years to enjoy the food and music. AD Quality Auto 360p 720p 1080p Top articles1/5READ MORE11 theater productions to see in Southern California this week, Dec. 27-Jan. 2“If you can’t tap your foot to that, you can’t tap your foot to anything,” Ron Lange said about the swinging, upbeat music in the background. From its humble beginnings as a clam bake in 1988, the festival now draws thousands from the city and surrounding communities. It is the biggest fundraising event of the Rotary Club of Simi Sunrise. The event brought in more than $100,000 last year, said Rotary member Steve Pietrolungo, chairman of last year’s festival. The money is donated to community groups and charities such as the Boys and Girls Club and Meals on Wheels. “It all goes back into the community,” Pietrolungo said.
2. Label Your Sequences With IntentI’ve been asked before to go back and make small revisions to projects several months old that I had never touched before. On several of those, the sequences were named things like:Rough v1Rough_v1 CopyRough_v1 Copy CopyFinal_v2Untitled Sequence Copy 02 v3Edit v2 FinalRough Edit v2 Final RevisedYou get the picture. I actually started working on the wrong sequence because of this, which wasted time there, and even more time after I figured that out while I was trying to find the correct one! If you saw all of these in a project, would you have any clue where to start?Save the next editor a huge headache by having a consistent naming convention for your sequences, and stick to it. Here’s how I version:Title the sequence with a name that means something instead of just “edit” or “rough”, for example: “2014 New Products Showcase”.Numbers increment with client revisionsLetters are for internal revisionsExample: The rough edit would be “2014 New Products Showcase v1”. If I went through two more refinements that I wanted to keep separate before we sent it to the client, they would be called “2014 New Products Showcase v1a” and “2014 New Products Showcase v1b”. When the client sent back revisions and feedback, the next version would be called “2014 New Products Showcase v2”. Further internal revisions would be “2014 New Products Showcase v2a”, etc.Naming is a huge help in identifying the most current version. Want to make it even easier for the next editor and not only keep them from cursing you, but have them sing your praises? Put all old versions in an “Archive” bin, and have only the most current version visible by default. They’ll love you, I promise.3. Keep Your Sequences CleanI don’t think I’ll ever understand why some editor’s timelines seem to use tracks at random and have over 15 of them, but if you have to edit that way, go for it. Just do us other editors a favor: before you walk away from the project make a new version (a “v2a” or whatever, if you follow my suggestions above) and collapse the tracks to something that makes sense. Having one track is great. Want to keep b-roll and your storyline separate? Great. Use two tracks. Not ten. If you use multiple tracks, be consistent with what you put on them, so an editor picking up the project quickly see the pattern and identify what’s where. My usual pattern when I use multiple tracks is:V5: Animated video transitionsV4: Titles and graphicsV3: Adjustment Layers for color if needed.V2: B-RollV1: Primary StorylineIf I can combine any of those in a way that makes sense and without conflict (ex: putting titles, graphics, and transitions on one track), then I do. If you were handed a project like that, I don’t think it’d take very long for you to find what you needed.Also, if prepping a project for another editor to take over, delete the extra junk at the end of the sequence. Sometimes we miss it and the project ends up exporting with 15 extra minutes of black. Most of the time it’s just annoying because it throws off our “scale timeline to window” shortcut (Shift+Z or whatever you use).If you use that as scratch for your selects, that’s great, but do one of two things before passing it off: Either version the sequence so you have it in a previous version so it’s out of the next guy’s way, or cut and paste it into a selects or scratch sequence. The latter is a usually a better option, because the sequence would be clearly labeled if the next editor wants to find good clips to pull from or see some of your other ideas.One last little side note for those of you that end up taking over a project another editor started for you: If he/she took the time to keep things neat for you, you should definitely respect that effort by keeping things organized in the way that editor prefers.I hope this has been helpful, and hopefully it makes your working relationship with other editors a little less stressed. Let me know if you guys think of any other suggestions (share in the comments below)! When working in a collaborative environment, following these tips will keep fellow editors and other post-production specialists from cursing your name when they have to work on your project!As editors, we often pass projects off to other post-production specialists and even other editors. At my work, for example, I might start a project because I have time, but a higher priority project that fits my skill set better might come along, so I’l pass the project I was working on to another editor at my company. We also often have one person do the rough edit, and another person take the project to polish it up.Here are a few tips for preparing your project so that the transition from one editor to the next is as smooth as possible.1. Keep Your Project OrganizedI’ve talked before about the need to keep a project organized, and even passed along some suggestions on how to do so (be sure to check out this post on a bin organization structure for your video editing projects).So, here’s the big question: If you had to hand a project off to another editor mid-project (family emergency, vacation, sick day, called in on a larger project, etc.), could they immediately find all of the pieces they need without having to scour and search every bin and file? Do you put all of the footage in a logical place and make it easy to find B-Roll, identify the most current version of the edit, and determine what graphics have been created and which ones still need designing?If the answer is “no” you’re wasting their time by making things harder than it should be. Good project organization significantly reduces the amount of time spent looking for things (or spent using the wrong things). From a self-benefit perspective, it also keeps them from having to track you down and ask you a bunch of questions, so you save time as well. Keeping things neat and tidy will keep other editors from hating having to pick up a project you started.
Pocari head coach Rommel Abella said their championship form all boiled down to the team’s composure.“It was all about the team’s composure, I remind them every time I call a timeout that they need to be composed and focused at the game at hand,” said Abella.FEATURED STORIESSPORTSSEA Games: Biñan football stadium stands out in preparedness, completionSPORTSPrivate companies step in to help SEA Games hostingSPORTSMalditas save PH from shutoutThe Water Defenders’ last gasp on life were their three straight points late in the fourth set to cut the Lady Warriors’ lead to 23-18, but Michelle Keddy would quell Bali Pure’s futile attempt to a comeback to put Pocari at match point, 24-18.Pocari Sweat celebrates another PVL title. Photo by Tristan Tamayo/INQUIRER.net“Even when Bali Pure scored three straight points, I wasn’t worried that we would lose,” said Abella. “What I was worried about was that they could cut the lead and the momentum would swing to their favor.” LATEST STORIES Ethel Booba on hotel’s clarification that ‘kikiam’ is ‘chicken sausage’: ‘Kung di pa pansinin, baka isipin nila ok lang’ Krystal Rivers, who played her first game with Pocari in the first match of the finals, was magnificent for the Lady Warriors as she put up a game-high 27 points while Finals MVP Myla Pablo added 16 points.Michelle Strizak, who was named the Conference’s Best Import, had 10 points to aid the Lady Warriors in their championship quest.Jeng Bualee and Jennifer Keddy led Bali Pure with 13 points apiece.ADVERTISEMENT Sports Related Videospowered by AdSparcRead Next ‘Young, full of potential’ Chooks-Pilipinas 3×3 team heads to France Lacson: SEA Games fund put in foundation like ‘Napoles case’ MOST READ What ‘missteps’? Heart Evangelista admits she’s pregnant… with chicken Water Defenders, 20-25, 25-17, 25-17, 25-19, in the deciding Game 3.Jessey De Leon rose up for the final hit of the conference and gave Pocari its third straight title in in the tournament formerly known as Shakey’s V-League after conquering last year’s Reinforced and Open conferences.ADVERTISEMENT Don’t miss out on the latest news and information. Pocari drops Bali Pure to win another PVL title2.8K viewsSportsVentuno Web Player 4.51 View comments Robredo: True leaders perform well despite having ‘uninspiring’ boss PLAY LIST 02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games01:44Philippines marks anniversary of massacre with calls for justice01:19Fire erupts in Barangay Tatalon in Quezon City01:07Trump talks impeachment while meeting NCAA athletes02:49World-class track facilities installed at NCC for SEA Games 1 dead in Cavite blast, fire World’s 50 Best Restaurants launches new drinking and dining guide Heart Evangelista admits she’s pregnant… with chicken WATCH: Firefighters rescue baby seal found in parking garage
LYCEUM 96 – Perez 22, Jc. Marcelino 19, Ayaay 10, Tansingco 10, Caduyac 8, Pretta 8, Jv. Marcelino 6, Liwag 5, Nzeusseu 5, Marata 3, Baltazar 0, Cinco 0, Ibañez 0, Santos 0.MAPUA 90 – Gabo 21, Buñag 18, Victoria 16, Aguirre 11, Nieles 9, Orquina 7, Pelayo 6, Raflores 2.Quarters: 20-21, 48-43, 73-58, 96-90. Trump signs bills in support of Hong Kong protesters Lyceum lost hold of its 17-point lead, 71-54 in the third quarter as Laurenz Victoria and Leo Gabo willed Mapua to get to as close as six late in the game.Robinson said that it’s something his team needs to work on as the Pirates gear up for tougher foes ahead.“That’s the challenge for us. If we want to stay on top, there’s a lot of responsibilities that come with it. We’re the barometer. Hopefully, this will be a wake up call for us that any team can beat us if we let our guards down,” he said.Gabo paced Mapua (1-9) with 21 points and five assists, while Christian Buñag had 18 markers and 14 rebounds in the loss.The Scores:ADVERTISEMENT Robredo: True leaders perform well despite having ‘uninspiring’ boss PLAY LIST 02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games01:44Philippines marks anniversary of massacre with calls for justice01:19Fire erupts in Barangay Tatalon in Quezon City01:07Trump talks impeachment while meeting NCAA athletes02:49World-class track facilities installed at NCC for SEA Games Celebrity chef Gary Rhodes dies at 59 with wife by his side Don’t miss out on the latest news and information. NATO’s aging eye in the sky to get a last overhaul Sports Related Videospowered by AdSparcRead Next LATEST STORIES View comments For the complete collegiate sports coverage including scores, schedules and stories, visit Inquirer Varsity. Ethel Booba on hotel’s clarification that ‘kikiam’ is ‘chicken sausage’: ‘Kung di pa pansinin, baka isipin nila ok lang’ Hotel says PH coach apologized for ‘kikiam for breakfast’ claim MOST READ Africa champion Cameroon misses out on World Cup Celebrity chef Gary Rhodes dies at 59 with wife by his side CJ Perez paced the Pirates with 22 points and nine rebounds, while Jaycee Marcelino got 19 markers, six boards, and two dimes.MJ Ayaay and Ralph Tansingco both chimed in 10 points apiece in Lyceum’s 10th straight win.FEATURED STORIESSPORTSSEA Games: Biñan football stadium stands out in preparedness, completionSPORTSPrivate companies step in to help SEA Games hostingSPORTSBoxers Pacquiao, Petecio torchbearers for SEA Games openingCoach Topex Robinson, though, was dissatisfied with how his side reacted to the Cardinals’ challenge, as the cellar dwellers gave the Pirates everything they could handle.“I guess we didn’t play our usual game. We didn’t honor the game and it almost backfired on us. Credit to coach Atoy (Co) for preparing his team well for us,” the youthful mentor said. Lacson: SEA Games fund put in foundation like ‘Napoles case’ Lyceum didn’t look like it missed a beat as it sustained its hot streak to the second round of the NCAA Season 93 men’s basketball tournament with a 96-90 victory over Mapua Tuesday at Filoil Flying V Centre in San Juan.ADVERTISEMENT Robredo should’ve resigned as drug czar after lack of trust issue – Panelo
Login/Register With: LEAVE A REPLY Cancel replyLog in to leave a comment Advertisement Advertisement Twitter Advertisement For over 165 years, Kiehl’s has always focused its efforts on the betterment of local communities by targeting philanthropic endeavors on the needs and concerns of its citizens. Over Kiehl’s long history of charitable giving, the company has supported three key causes: children’s wellbeing, environmental issues, and HIV/AIDS research. Since 2006, Kiehl’s has raised over $2.5M for children’s causes worldwide.Maintaining our mission of giving back to the community, Kiehl’s launched in 2014 charitable programs to help organizations across Canada helping children and youth.In 2017, Kiehl’s is happy to be working with Grammy nominated singers, musicians and songwriters Tegan and Sara. Tegan and Sara began their career at a very young age and received the many awards including Group of the year at The 2014 JUNO Awards.Through this year’s program, Kiehl’s will be supporting the Tegan and Sara foundation.Created in 2016, the Tegan and Sara Foundation is dedicated to improving the lives of LGBTQ women and girls around the world. The foundation’s initial focus will be on improving economic opportunity, access to health services, and media representation for LGBTQ women.Theory of Change: We activate and unite influencers, fans and service providers to break down the cultural and institutional barriers that keep lesbian and queer women down, recognizing we are stronger together.Program Areas: Our initial work addresses economics, representation and health – three areas where LGBTQ girls and women face the biggest challenges.On the importance of the partnership, Tegan and Sara explain their long term relationship with the brand, “We have been enjoying using Kiehl’s products personally for over a decade, so it is with great excitement that we announce our partnership between The Tegan and Sara Foundation and Kiehl’s Canada. We created the Tegan and Sara Foundation to support LGBTQ. We want to ensure that girls and women live an empowered life, have equal opportunity, and the tools to succeed based on their gender and orientation. We have worked closely with Kiehl’s to design this national program, and we look forward to sharing ‘Kiehl’s Pride with Tegan and Sara.’” Tegan Quin and Sara Quin“We want to help support counseling and mentorship services for LGBTQ youth with the Tegan and Sara foundation ; it was a natural mix for Kiehl’s to give back to the community and help youth feel more comfortable in their skin,” says Alexandre Ratté, General Manager at Kiehl’s Canada “Staying true to our longstanding mission of supporting local initiatives, Kiehl’s and the Tegan and Sara Foundation will help ensure the LGBTQ girls and women have a happy upbringing, thanks to the power of music.”Customers and fans across the country are invited to participate in the Tegan and Sara Foundation partnership through the following initiatives:Limited Edition Ultra Facial Cleansers: a limited edition of the customer favourites; Ultra Facial Cleanser and the Oil Free Ultra Facial Cleanser featuring an original illustration by Tegan and Sara on the label will be available at Kiehl’s stores nationwide in January, with 100% of net profits donated to the Tegan and Sara foundation*Performance: Throughout the winter, Kiehl’s will host a secret performance with Tegan and Sara in Canada. Customers and fans will be invited to visit Kiehl’s stores to participate in an exclusive contest throughout the month of January. Then, winners will be surprised with an exclusive invitation to the special event. This unique experience is our way of giving back to those who help us support the Tegan and Sara foundation.*Through this campaign, our objective is to raise $50,000 for the Tegan and Sara foundation in Canada. Facebook
Charlotte Morritt-Jacobs APTN NewsIt’s an important day in the Northwest Territories for politics.For the first time in three decades, there will be a new Dene national chief elected on Wednesday.APTN reporter Charlotte Morritt-Jacobs is in West Point First Nation for the 48th annual Dene National Assembly.firstname.lastname@example.org